The loneliness of the current American landscape motivates my work. I am drawn to off-center compositions in urban settings. When choosing locations to paint, I look for ways the sun and technology move through and across the buildings. The traffic lights and telephone wires strung over the empty buildings show a world being swallowed by the reality […]
Clutterism is my very own ism.
This work involves themes of brokenness and repair, using the convergence of materials to express a sense of unity or cohesion. I see this as my personal way of processing emotions of joy and grief by creating ties of meaning in the spaces between life experiences.
QUIET CONVERSATIONS The landscape that surrounds me is full of changing light and color and the curious personalities of the animals that populate it. I feel a serenity and wonder when I look out on these farms and am inspired to try and translate it into paint.
"someday, maybe" is an iteration of works first exhibited under the title "This Is Not Our House, and I Don't Know If I Can Catch Them." These woven and unwoven paintings are an expression of my personal disillusion caused by the conflation between presented and experienced realities
Woodward's encaustic paintings highlight conflicts between humans and the natural world. Animals float among cosmic constellations, creating dreamy, and visceral interactions between order and chaos. Using the encaustic hot wax medium, Woodward uses traditional as well as found wooden supports that function as both image and object.
This series showcases Seijo's artistic journey using stage light filters. From capturing nature's essence to playing with light, she blends raw luminosity with vibrant hues. Exploring shape, light, color, and shadow, her latest work features captivating shadow box frames with filter gels on glass. As light passes through, reflections bounce and create an immersive visual […]
“Reminiscence” is a show sharing some of my favorite memories of the two dearest and most significant places in my life: Wellfleet, Cape Cod and Lancaster County, Pennsylvania. Though quite dissimilar in appearance, these land and seascapes are bound by their shared distinction of being “old souls”, maintaining much of the rustic beauty and slower […]
Interior design thinking is an art and a science. Poetic spaces is the art of collage playing with the scope of my imagination. Images can be out of place, things juxtaposed or fantastical, connections are made between unlike images, imaginary places become real. Collage transcends ordinary time – because you travel through time and space, […]
This body of work steps into the whimsical world where color and imagination takes flight weaving the simplicity of Amish life with the vibrancy of the English world in a way that would just never happen. Imagine Amish folk and Evil Knievel colliding and creating “Levi Knievel”.
Beloved Lancaster artist Richard Redmond will be showing his latest collection of landscape oil paintings.
Landscapes that tell a story on canvas; driven by emotion, inspired by music.A poet writes their story, I paint mine!
Prepare to immerse yourself in a captivating exploration of color and form at the “Palette Play: Bold and Subtle” exhibition of Stone Stafford’s abstract art.
Lancaster artist Stew Bradley is known for brightly painted architecture, cinematic pop art, and filtered photography with solo exhibits in Lancaster, Lebanon and Harrisburg galleries over the last 25 years.His latest series takes a more neo-impressionist approach to colorful landscapes and dream-like imagery.
“So Much Left Undone,” a line from a Neil Young song taken out of context, is a body of work about motherhood, home and family life, with a backdrop of nostalgia for 90’s bed sheets and grandma’s wallpaper.
